Angelo Garzio was the professor emeritas of the ceramics program at Kansas State University. Angelo was a potter in the truest sense of the word. His work in recent years concerned things he would like to use in his kitchen. These highly functional and beautiful works are more or less unknown to most people. Angelo had a stroke in late summer 2007, and lived at Meadowlark Hills retirement community in Manhattan, KS for several months.
I am very proud and honored to have been able to call Angelo my friend.
Angelo passed away on Sunday January 20th 2008. Here is a copy of his obituary from the Manhattan Mercury:
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KSU professor Angelo Charles Garzio |
Angelo Charles Garzio, a well-known artist, potter and professor on the faculty of Kansas State University, died Sunday, Jan. 20, 2008 at the Meadowlark Hills Retirement Community. He was 85.
Mr. Garzio was a master potter and KSU distinguished graduate professor of art. He was a resident of Manhattan for more than 50 years.
Prof. Garzio was born July 22, 1922 in the small Italian village of Mirabello Sannitico in the Molise region. In what was a familiar story in those days, his father immigrated to this country first, working in Syracuse, N.Y. as a bricklayer and stonemason until the rest of the family could afford to join him. Angelo and his mother Rose, joined his father in this country in 1929. Raised as an only child (his brother, Giovanni, died in Italy as a toddler of influenza), Angelo was educated in the Syracuse public school system.
In October 1939, he enlisted in the New York National Guard; in 1942, he joined the U.S. Army Air Force, flying in B-26 bombers in the war in the Pacific, and was honorably discharged in 1945. In one of his proudest moments, he became a U.S. citizen in 1956.
While most in the community knew Prof. Garzio as an artist and craftsman, fewer may have known that his early training was as a librarian and a musician. Using the GI Bill, he earned two degrees from Syracuse University in 1949: a BS in library science and BA in music, art, and literature. Prof. Garzio played French horn professionally with the Syracuse and Utica, N.Y. symphonies and the Bridgeport, Conn. Symphony.
His first trip back to his country of birth came in 1950, when he studied Art History at the University of Florence, Italy, receiving the diploma di proffito. He studied one year at the University of Chicago, majoring in art history. He transferred to the University of Iowa to continue in art history, receiving a master of arts degree in 1954.
It was while he was at the University of Iowa that Prof. Garzio took a course in ceramics from Prof. Glen Nelson. At that time, Nelson was one of the leaders in reviving pottery as an art form in America. Prof. Garzio fell in love with pottery, and at the end of the semester took first prize in the Iowa Arts and Crafts Show. In 1955, he completed his MFA in ceramics at the University of Iowa, the terminal degree in his field.
Before coming to Kansas State University in 1957, he was a guest potter at the famous Arabia Potteries in Helsinki, Finland in 1956-57, marking the beginning of his international reputation as a master potter. Prof. Garzio was awarded four Fulbright Senior Lectureships during his career: Lahore, Pakistan (1961-62); Seoul, South Korea (1973-74); Zaria, Nigeria (1977-78); and Obera, Argentina (1992). At the age of 70, Prof. Garzio was a U.S. State Department Cultural Arts Visiting Ceramic Lecturer to Santa Cruz and Sucre, Bolivia.
When Prof. Garzio arrived at Kansas State in 1957 as an assistant professor, ceramics was taught in the College of Home Economics, though pottery eventually was integrated with the other arts to form the Department of Art in the College of Arts and Sciences. He became associate professor in 1962 and full professor in 1966. In 1972, he became the first humanist to receive the university’s Distinguished Graduate Faculty Award.
He was listed in Who’s Who in American Art since 1986. His pottery has been exhibited regionally, nationally, and internationally. Further, and unusual for a practicing artist, Prof. Garzio published extensively in journals such as “Ceramics Monthly,” the “New Zealand Potter,” and “Ceramica.”
He demonstrated his zest for life in many ways. Though Italian by birth and raised in an East Coast city, the stark beauty of the Flint Hills resonated deeply within him, and he spent long hours on his farm near Riley. Every year, he would plant hundreds of trees there, watering them by hand; tree farming and land preservation became his passions, and he was honored for his commitment and work in this area. One often could find him out at the farm working on the land, aided by a strong-backed K-State student trying to keep up with this man four times their age.
Prof. Garzio had a passion for teaching, and for him teaching and learning neither began nor ended in the classroom. While his daughter remembers him decrying the woeful state of students every year for the last 20 years that he taught, he remained in the KSU classroom until the age of 70, and was a fixture in his studio in the old West Stadium on campus up until his stroke in August 2007. He maintained close relationships with many of his former students through the years, and would speak of them with great pride and fondness.
He regularly and quietly supported many organizations in the Manhattan area. He was a familiar face at the Manhattan Public Library, to which he donated many texts on the art of ceramics, and in which he found the kinship of books. He was a longtime supporter of the Big Lakes Developmental Center, where his son, Eric, is a client, and the Big Lakes Foundation. He sponsored a number of scholarships at Kansas State in several disciplines. He donated pots to many organizations in the community for fund-raising events throughout the years.
Survivors include his former wife, Elizabeth (Betty) Garzio, Manhattan; his son, Eric Garzio, Manhattan; daughter, Judith Nole, and her two children, Will and Ellen Nole, all of Tulsa, Okla., along with her partner, Trinna Burrows and her daughters Elyse and Jordan Burrows of Tulsa, Meagen Burrows of Seattle, Wash., and Danielle Hovenga and her husband and daughter Ryan and Aubrey Hovenga of Oolagah, Okla. He also is survived by his former wife, Patricia O’Brien, Manhattan, and by numerous family members in Italy.
A private family gathering will be held this weekend, with a community remembrance to be held Saturday, March 1 at 2 p.m. in All Faiths Chapel on the Kansas State University campus.
Those wishing to make gifts in Prof. Garzio’s memory may contribute to the Angelo C. Garzio Fund for Studio Pottery with the Kansas State University Foundation, or the organization of their choosing.
Here are some of the very few images I could find of Angelo and his work.
I have such wonderful memories of my time at KSU and being in Prof. Garzio’s class. I have continued working with the wheel for 20 years. I still proudly display the only piece of his that I own. I, too, hope he gets to return to pottery. Pottery is something my husband and I enjoy together and I feel so lucky to have been one of Garzio’s students. My work is purely amature, but it has brought me so much enjoyment.
Comment by G. Harra — November 16, 2007 @ 4:41 pm
I was a student of Garzio from 1972 through 1973. I have a yellow plate with his wonderous yellow glaze. I hope to be able to purchase some of his work. Any leads?
Comment by Gail Sherman — December 22, 2007 @ 7:26 pm
Thanks for your info about Angelo Garzio. I took my one and only pottery class from him at KSU in 1971. Not an art student, but loved the clay. Saw his obituary today in the Iowa City IA paper, since he got his MA at Un. of Iowa in 1954. Ironically, at least for me, just yesterday, I sold my potters wheel to another artist. I thought of him, as he had a great influence on my art work. In particular, he taught me to enjoy the process and respect the impermanance of our work. I recall a day that we worked at the wheel to make something that we loved. Then professor Garzio insistented that all the students in class drop their “clay masterpieces” on the floor. He said, “now make more”. At the time it was heartbreaking. I learned.
Cheryl Hetherington
Clinical Psychologist
Comment by Cheryl Hetherington — January 25, 2008 @ 10:22 pm
February 24, 2008
Ange was my ceramics professor in the early 1960s. I was only formally given permission to call him “Ange” about five years ago. When I met him, I thought he had been teaching for years. He seemed to be a really cranky old guy to me, the clueless undergraduate student who pushed him past the limits of civility many times. He was the first teacher (or professor) to ask me to his home for dinner!
His passion for making pots made an indelible impression on me. I taught public schools for a few years before getting my MFA and teaching ceramics at the University of Northern Colorado for 30 years. Ange was a mentor and friend to several of my former students who did MFA degrees in ceramics at KSU after he had retired.
I have tried to promote that excitement about clay, form and firing that I got from Ange to my students for many years.
Richard (Dick) Luster (Greeley, Colorado)
Comment by Dick Luster — March 14, 2008 @ 4:09 am
Non conosco una parola di inglese, so solo che ho sempre saputo che da una ricerca fatta in tutta Italia il mio cognome (anzi dopo la morte di mio padre ) sia rimasto solo io ) adesso scopro che esiste anche il Prof. Angelo Garzio che gioia mi piacerebbe risalire alle origini del nostro cognome. Hanni 44 Italiano esattamente Napoletano distinti saluti
English Translation thanks to igoogle language translator:
“I do not know a word of English, only know that I have always heard that from a research made in Italy my first name (even after the death of my father) is left alone I) now discover that there is also the Prof.. Angelo Garzio joy that I would like to go back to the origins of our surname. Hanni 44 Italian exactly Napoletano separate greetings”
Comment by Francesco Garzio — April 28, 2008 @ 4:52 pm
I feel so blessed to have been a student of Professor Garzio in a beginning Ceramics class in 1991, having saved a few “easy” electives for my Senior year. never did I imagine the impact the class and Professor Garzio would have on me. He seemed to hate everything I created initially. Finaly, past the point of believing I could please him, I began to simply work with the clay and stopped trying to create a masterpiece. I love working with clay to this very day, and can still hear the praise I received from him on a piece of my wheel work. I cherish the lidded pot of my own ALMOST as much as the pitcher he made. This truly was a man who contributed so much to so many, his talent and creativity will stand for future generations to appreciate and emulate.
Comment by Stephani (Burt) Hines — July 2, 2009 @ 2:25 am